How+to+Write+Movie+Review

=HOW TO WRITE A MOVIE REVIEW=

Writing a movie review is a great way of expressing your opinion of a **movie**. The review should give enough details about the movie that the reader can make an informed decision, without giving anyway any essentials such as the plot or any surprises. Below are guidelines and tips for writing a good movie review.

1. Watch the movie
The first step in writing the review is to **watch the movie**. Watching the movie a second time will help you absorb a lot more detail about the movie. Most movie reviewers **take notes** as they watch the movie review.

2. Give your opinion
Most movie reviewers will **give their opinion** of the movie. However, as in all good journalism, the reviewer should also **give impartial details**, and allow the reader to make their own mind over an issue the reader liked or disliked. Many regular movie reviewers will develop a following. If one can find a reviewer who shares a similar taste in films, one can confidently follow the reviewers recommendations.

3. Who is your audience?
You need to consider **who your likely readers are**. Writing a movie review for **children** requires a different approach than if writing for a **movie club**. Ensure you report on the factors that matter to your likely audience.

4. Give an outline
Give the outline of the movie, but **don't give away essential details** such as the end or any surprises. If there is a big surprise you want to entice readers by telling them something special happens, just don't say what.

5. Actors
If the movie contains **actors**, as most do, detail who is starring in the movie and how well you think they acted.

6. Structure
Did the movie follow a regular predictable **story line**, or did it get you thinking like a **Quentin Tarantino** movie?

7.Cinematography and lighting
Give details about **how well** the movie was shot and directed. Was the lighting **good** in the moody scenes?

8. Music
Did the movie have its own score like Koyaanisqatsi or ET, or did it feature songs from popular artists?

9. Read, read and read

 * Read and check** your review **thoroughly**. It can be embarrassing to find errors in your work after it has been published. This is especially important for reviews that will be published on the Internet, as search engines are always looking for the **correct spellings** of key words.

**Philadelphia**
If you read nothing but the Village Voice, you'd think that Jonathan Demme was the only important filmmaker alive. That isn't, however, a universally shared opinion. Granted, the Academy game him virtually every award it could think of for Silence of the Lambs, but that doesn't mean he deserved them. Demme's tendencies toward social awareness are often more inter­esting than his cinematic execution.

But with his new film, Philadelphia, Demme pulls it off. In many ways, it's his finest film to date — and that has nothing to do with the hot-button story topic. Philadelphia is hardly the first movie to deal with the issues of homosexuality or AIDS. A gay lawyer may Be the most unique twist it brings to the screen, but, even there, L.A. Law beat Demme to the punch.

Tom Hanks plays an aggressive young attorney with a prestigious Philadelphia firm. He enjoys his new status. So much so, that he can barely keep from smirking when he upstages co-star Denzel Washington, a scrappy ambulance-chaser, in a zoning fight.

Hanks' career fast-track is blocked by several obstacles, however. He's a closeted gay who's working for a rigidly homophoic firm. He has AIDS. A lesion appears on his face the same day he's promoted. It isn't long before he's fired on a trumped-up charge of incompetence.

Hanks wants to sue, but no one's willing to touch the case. Not even Washington, who otherwise appears to be willing to do anything for a buck. In fact, Washington doesn't even want to be in the same room with Hanks — he despises gays and is frightened witless by AIDS. In a somewhat unlikely plot twist, these are the very factors than convince him that he's the ideal mouthpiece for Hanks' case.

Passing moments of implausibility are recurring minor flaws in Philadelphia. Another weakness is the film's extremely simplistic structure: there are good guys and bad guys, and no shades of gray in between. At one extreme, Washington quickly over­comes his deeply rooted prejudices as he fights the good fight. At the other extreme, the old men in Hanks' firm are totally immersed in unthinking bigotry (and don't mind saying so on the witness stand).

Luckily, Hanks and Washington are both able to act beyond the two-dimensional roles provided for them by the movie's script. It's with their performances that Philadelphia really kicks to life, as their legal odd couple zig zags a path through anger, pain and idealism. Washington is especially good as a sly shyster whose courtroom tac­tics combine street smarts with subtle but deadly jabs. For once, Jonathan Demme lives up to his reputation. Philadelphia really is that good.

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